![]() We are not allowed to see his face because of a large stain of white paint that covers it and drips towards the bottom of the canvas. (of the occult), the artist shows us a sitting old man leaning forward with his torso naked, trying to cover himself with a blanket of some sort. By “ruining” his paintings, Samori makes them much more interesting and challenging. But once he finishes his paintings, he begins to deform them, making them terrifying. His portraits are exquisitely detailed and, if he would have left them as they were, they even could be considered attractive. However, Samorí’s technique is infinitely superior. ![]() Samori paints baroque portraits, which are then deformed by heat (with a welding torch) or by running the paint.įrancis Bacon already had terrified us in times of the School of London. I just saw the work of Nicola Samori, a 35 year-old Italian artist who has been participating both in solo and group exhibitions since 2002. ![]()
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